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Kay Brathol-Hostvet, PSA
Artist's Statement
Nature is always hinting at us. It hints over and over again.
And suddenly we take the hint.
---Robert Frost
For almost three decades, my primary creative focus has been the Midwestern landscape. My works are a synthesis of the American landscape tradition and self-expression. The artists George Inness, Martin Johnson Heade, and Wolf Kahn have had a profound impact on my interest in the emotive landscape. The open expanse of a landscape can personify sincerity; it can also represent personal freedom, or embody loneliness or isolation. Dynamism in nature is intimately linked to psychological states. The landscape with its constantly changing light and shadow, weather and seasons becomes a metaphor for our moods and emotions.
My work in soft pastel has been described as Contemporary Regionalism—a celebration of the land, but with a modern aesthetic. I am particularly interested in the concept of quiet anticipation—an expectant stillness that one feels at certain times of the day. I work from a combination of sources: my own photographs taken on photo journeys into the local countryside, notes that I take when on those journeys, and design and value studies. The photos act as a catalyst and reminder of form. While the paintings may look photorealistic, they are carefully designed with an intent to capture that transient moment.
Link to Kay's website here
Kay Brathol-Hostvet, PSA
Artist's Statement
Nature is always hinting at us. It hints over and over again.
And suddenly we take the hint.
---Robert Frost
For almost three decades, my primary creative focus has been the Midwestern landscape. My works are a synthesis of the American landscape tradition and self-expression. The artists George Inness, Martin Johnson Heade, and Wolf Kahn have had a profound impact on my interest in the emotive landscape. The open expanse of a landscape can personify sincerity; it can also represent personal freedom, or embody loneliness or isolation. Dynamism in nature is intimately linked to psychological states. The landscape with its constantly changing light and shadow, weather and seasons becomes a metaphor for our moods and emotions.
My work in soft pastel has been described as Contemporary Regionalism—a celebration of the land, but with a modern aesthetic. I am particularly interested in the concept of quiet anticipation—an expectant stillness that one feels at certain times of the day. I work from a combination of sources: my own photographs taken on photo journeys into the local countryside, notes that I take when on those journeys, and design and value studies. The photos act as a catalyst and reminder of form. While the paintings may look photorealistic, they are carefully designed with an intent to capture that transient moment.
Link to Kay's website here
Late Summer Stroll
11 × 14 Soft Pastel
Remnants
16 × 20 Soft Pastel
Skyscraper I - Cresting
24 × 20 soft pastel
Soar - Nighthawk
24 × 24 Soft Pastel
Prairie Sunset
6 × 6 framed to 12 × 12 Soft Pastel
Frost At Sunrise
7.75 × 7.75 framed to 10 × 10 Soft Pastel over pumice
Summer - Green and Gold
5 x 7
Ablaze
8 x 10
Fire and Shadow
8 x 10
Overture
16 x 20
Dappled Path
16 x 16
Last Light II - sold
16 x 30
Aglow
16 x 20
Prelude to Spring
16 x 30
Take Your Time - Sold
12 x 16
Oasis - Sold
16 x 30
Vanishing Way - sold
7 x 15
Precarious - sold
16 x 20
Steadfast - sold
18” x 26”
Over The Hill - sold
16 x 20
At a Crossroads - Sold
16” x 20”
Dawn - Sold
16 x 20
Passing Storm I - Sold
5” x 7”
Passing Storm II - Sold
5” x 7”
Kickapoo Valley Summer - sold
soft pastel 16" x 20"
On The Edge II - sold
soft pastel 7" x 18"